
Group class video 40-minute workshop primarily focused on exploring different ways to apply the Back Corte in International Tango to other figures.
Posts about how to dance
Group class video 40-minute workshop primarily focused on exploring different ways to apply the Back Corte in International Tango to other figures.
Group class video 40-minute workshop exploring the three most popular versions of the Outside Swivel in Tango, using a Reverse Turn.
A half-hour intermediate group class video workshop looking at various types of Rumba Walks to provide more technical insights.
Breathing is a vital part of good ballroom dancing, yet it’s rarely talked about. This workshop goes into detail, covering a number of dances.
George and Wendy Pytlik of Delta Dance take you through a 2-hour video class covering the Slow Foxtrot with popular figure combinations.
There are four types of lead in ballroom dancing. Some are more challenging than others. This article explores them in more detail.
In this workshop, we look at three intermediate Paso Doble figures based on those used in our Paso choreography, the Deplacement, Huit, and the Twists.
An intermediate group class video workshop looking at how you can improvise your Paso Doble with simple step patterns and timing changes.
George and Wendy Pytlik of Delta Dance take you through a program covering the Viennese Waltz to help you look great on the dance floor.
An intermediate group class video workshop looking at ways to dance Rumba with more power and confidence.
Turns happen throughout every Latin dance, yet many dancers don’t understand how to create a balanced turn. Here’s some insight.
An intermediate group class video workshop covering three easy but interesting variations to Bronze-level Rumba figures.
Group class video workshop exploring a variety of simple variations to enhance the Slow Waltz.
An intermediate group class video workshop covering proper Cha Cha musicality, Guapacha timing, and a fun variation.
An intermediate group class video workshop covering four easy but interesting variations to Bronze-level Cha Cha figures.
40-minute group class video workshop exploring the use of the Running Finish and Open Natural to create choreography options in the Slow Foxtrot.
40-minute group class video workshop exploring ways to dance more musical movement in the Slow Foxtrot.
40-minute group class video workshop exploring Samba musicality in various step patterns.
A complete video dance class covering the Bronze level American Smooth Foxtrot syllabus in detail. Includes 15 lessons in separate videos.
George and Wendy Pytlik of Delta Dance take you through a complete routine for Paso Doble, choreographed to the music of Spanish Gypsy Dance.
Having been involved in teaching more than 3,500 ballroom dance classes so far in my career, here are some of the most common problems I’ve seen.
Tango is often danced poorly because of a misunderstanding of musical timing of the leg actions. Here is some insight.
The Outside Change is a simple Bronze figure, but can be spectacular when danced well. Here’s how to make it look good.
George and Wendy Pytlik of Delta Dance take you through a comprehensive 2-hour video class covering the International-style Waltz in detail to help you look great on the dance floor.
A complete video dance class covering the Bronze level American Smooth Tango syllabus in detail. Includes 16 lessons in separate videos.
Learn the Salsa with George and Wendy. This hour-long course, broken into multiple videos, covers the basic steps in detail.
Learn the Social Foxtrot with George and Wendy. This course, broken into multiple videos, covers this elegant and easy-to-learn dance.
As ballroom icon Alex Moore pointed out, the Tango is deceptively simple, yet with numerous interesting complexities. When we master these, our Tango can become impressive.
Watch world champions from different eras demonstrate exquisite Slow Foxtrot technique with impromptu dance camp performances.
A breakfast meeting with my kinesiologist led to some insights on using the hips in ballroom dancing.