Dancing can be both a source of joy in a marriage, and a source of frustration. Here are some tips to help keep things in perspective.
Read More
Watch world champions from different eras demonstrate exquisite Slow Foxtrot technique with impromptu dance camp performances.
A breakfast meeting with my kinesiologist led to some insights on using the hips in ballroom dancing.
Comparing the best ballroom couples in the world from two past competitions shows a remarkable decline in quality.
So often in the process of learning to dance, people get caught up in technical details, hindering learning. But many dance actions are things you are already doing in life.
Insights from a lecture by Donnie Burns, assisted by Gaynor Fairweather, in which he discusses the value of authenticity through basic elements of Latin American dancing.
There have been no ballroom dance movies of any significance since 2004. So it was refreshing to see Hallmark’s The Christmas Waltz.
There are four primary happiness hormones in the human body. Here’s why dancing releases every one of them and makes you happy when you dance.
Ballroom dances consist of two partners moving as one to music. For the bodies to move as one, we must solve many issues caused by four legs.
According to leadership consultants SSCA, there are six distinctive personality types. Understanding them can help dancers practice more effectively.
Covid-19 has caused millions of people to stop moving. But the health risks of inactivity could be a greater danger than the pandemic.
Someone recently asked on a discussion forum, “what made Fred Astaire such a great dancer?” It was the way he made difficult things look like anyone could do them.
I was recently asked, “Does dancing ever become effortless?” It’s a great question. The answer is not as simple as it might seem.
A common question these days, due to Covid-19, is whether you can learn to partner dance without a partner. Here are some insights.
A Time magazine interview with brain researcher Helena Blumen and professional dancer Derek Hough does a great job of describing the cognitive benefits of dancing.
The World Super Series competition in 2019 offers a great look at professional couples dancing the basic figures in competition.
This 8-minute video addresses a common issue in Ballroom dances in which the lead fails to rotate the upper body properly during figures with rotation. Yet Contra Body Movement is something we do naturally every time we walk!
Insights from a lecture by Italian coach Michele Bonsignori at The Camp about the value of understanding basic steps even when you dance at a high level.
We may be going through challenging times as we ride out the threat of COVID-19, but that doesn’t mean you can’t keep learning as a dancer. Here are some helpful ways to continue growing.
One powerful aspect of dancing is often overlooked: spatial awareness. Here’s more information about how you can develop this skill in your dancing.
A three-year study found that experienced dancers can use multiple areas of the brain simultaneously. Though multi-tasking is largely a myth, it seems to be very real in the world of dance.
In partner dance, two people move as one to music, all without a word being spoken. Let’s take a look at the elements of the unspoken language being used.
German researchers found in a study that dancing significantly increases the size of the hippocampus region of the brain, reversing the age of the brain.
Philosopher Allan Watts has an interesting perspective on how the journey is the entire reason for music. This compares nicely to dance, where the experience of the dance should not be lost in the desire to get to the end.
A discussion on Quora about the difference between competitive dancing and social dancing led to an interesting analogy. Ballroom dancing is similar to using speech, whether in conversation or in a presentation.
in a recent interview, former world champion Corky Ballas gave some excellent insight into the importance of focus during dance practice.
Learning involves one key aspect that most people fail to recognize. Here are some insights.
Nothing about dancing, whether as a raw beginner or a seasoned professional, is inherently comfortable. And it shouldn’t be. Getting out of our comfort zone is where we begin to rise to greatness.
Victor Fung and Anastasia Muravyeva are exploring a refreshing new way to look at the concept of lead and follow and are sharing this with the dance community.
A recent discussion on Facebook became an opportunity for ballroom competition organizers to dialog with competitors of ballroom competitions. Here’s why.
